Author: Eric Nash

Horror writer and top bloke

An Exercise in Editing.

edward-scissorhands

I completed the final edit of a story the other week; proud of a killer story. Yesterday, I saw a call for submissions that was perfect for it in all ways, it ticked every box, stroked all the editor’s needs, even I fitted the requirement. Everything matched, except for the word count: the story was 1500 words, the editor required 1200 max. (no, really, 1200 firm, I know because I asked). Originally, the piece was 2000 words, so I had been quite ruthless already, and could not imagine losing a further twenty percent.

I continued to check other markets while some needle-monkey inside my head told me that that first one was decent, and it was the right story. Treat it as an exercise, I thought. So I did, after making a copy of the first version.

That story is now 1198 words and has been mailed to the editor. I’m chuffed, thinking: I didn’t ruin it, it’s a tighter story. I guess that truth will be proved with an acceptance.

OLYMPUS DIGITAL CAMERAThe current version of Hashtag Rewilding has entered its resting period; in a few weeks time I shall reopen the folder and begin the final draft.

Another tale, that of Midwinter Hill, is already being tapped onto the screen. A ghost story set at Christmas time in contemporary England, Midwinter Hill draws upon theories in forest ecology for some of its inspiration; mainly on the social networks of trees as studied by Suzanne Simard and her team (listen to her TED Talk: ‘How Trees Talk To Each Other’), and the bestselling book, The Hidden Life of Trees by Pete Wohlleben, which I am currently reading.

And the story isn’t even set in woodland.