A peak at some of the cracking fiction I’ve been lucky enough to read recently. Short fiction Things of Which We Do Not Speak by Lucy Taylor (from the collection, … Continue reading The Creased Spine Bookshelf 1/22
As we came into this year, I’d just completed my first collection of short fiction, and this continues along its publication journey. That, and the fact these past twelve months … Continue reading Publication Review 2021
“Twelve grisly new tales of fur and fury in this brand new anthology of werewolf stories. Liam Hogan’s The Mortsafe, full of gothic darkness, Holly Rae Garcia’s Werewolf’s Lament (because … Continue reading Call of the Wyld
April Showers, an exploration into sibling rivalry and loss, is now available in Aggregate Vol 1 published by Writerfield.com. As explained in the foreword, the last story, A Night And … Continue reading Aggregate: stories at the intersection of science fiction and horror (Volume 1, 2020)
As 2019 comes to a close, I’d like to thank all my readers for taking a chance and reading my fiction, I hope it was worth it. I’d also like … Continue reading Publication Review 2019
Published today in time for the holiday season, the first volume of the Ghosts, Spirits, and Specters anthology series from Hellbound Books, which features my haunted house origin story, The … Continue reading Ghosts, Spirits and Specters anthology (2019)
(some thoughts on my editorial role for North Bristol Writers)
The third North Bristol Writers anthology, Tales From The Graveyard, had its launch on Saturday 2nd March at the cemetery that inspired many of the featured stories. If you came along, thank you, if not, you missed a couple of relaxed and insightful hours.
Way back during October 2017, we held a storytelling evening, entitled Tales From the Crypt (yeah, I know – we’re working on originality, I promise), in the Anglican chapel at Arnos Vale Cemetery as part of the Bristol Festival of Literature, and from that sold-out evening the anthology was born.
The editorial team was agreed and consisted of myself (Acquisitions Editor), Pete Sutton (Senior and Copy Editor), and Ian Millsted (Assistant Editor, better known as Devil’s Advocate). Though one can argue how much acquisitioning is active in a submission call sent out to members of the NBW group and a few other Bristol writers, at times the use of a third editor in tipping the balance proved vital.
It was never the intention for the anthology to be horror-specific – yes, Pete and I both write in the horror genre, but there aren’t many more in the group who do – so the writers’ brief was kept suitably broad: the story must be set in a graveyard and contain a ‘weird’ element. And while the book contains ghosts, the Gothic, and a splattering of gore, it also has surrealism, pulp, humour, fantasy, and dystopia.
The content and individual word count of the accepted stories ended up so varied, that creating a TOC with enough momentum to keep pages turning filled me with a Lovecraftian dread. However, with a little research and a little more determination, the task turned out to be highly enjoyable. One could even suggest that the stories organised themselves.
The important first slot went to Kevlin Henney’s quick story for its strong opening that provides a philosophical slant which really works for, and certainly does no harm to, a book full of dead people. This bled into a murd’rous stab of fiction penned by the chilling Clare Dornan. The epics (of which there were a few) I spread throughout the book so their length would hopefully go unnoticed. The first of these, Chrissey Harrison’s fantasy action/adventure contrasts perfectly with the preceding stories. Next, two ghostly tales with child protagonists: Jon Charles’s simple tale followed by Louise Gethin’s wandering child which then ties into the gruesome wandering husband in Grace Palmer’s piece. I thought the reader now ready for a change, thus Darkfall by Dev Agarwal submerges all who feast upon it into a truly bleak dystopia. Then up for a gasp of putrid air with Amanda Staples’s creepfest, followed by the two more unusual stories of our anthology courtesy of Ken Shinn and Jay Millington. Placing both centrally highlights the differences between the two, and the rest of the book. They also act as “tentpole” stories (John Joseph Adams, source below*). Of course, what type of graveyard fiction does not contain Gothic? Behold, Chloe Headdon’s contemporary and Scott Lewis’s traditional tale. Both make an appearance in the latter part of the book allowing the reader to experience other aspects before this ubiquitous theme. Shock horror, courtesy of Grimdark queen Maria Herring, felt a natural follower-on from this, partnered with Tanwen Cooper’s seedy tale of rotten humanity. The last stories mirror the two openers, and are intended to leave positive flavours lingering on the reader’s palate; Piotr Świetlik’s humour and multiculturalism (both much needed in the world at present) and Alex Ballinger’s hopefulness. Ballinger’s ‘Messenger’ is philosophical and resonates with Henney’s opening story.
With the publication of the book, we now have a sexy little bunyip of a product that has been presented beautifully by the Typesetter (and writer), Harrison, and all wrapped up in a classic cover designed by Fabrice Mazat. And, of course, my editorship has come to an end. I’d like to thank North Bristol Writers for the opportunity to become part of this terrific book, and the insights into the other side of publishing.
You can purchase Tales From The Graveyard on Amazon UK
Previous North Bristol Writers anthologies are:
North by Southwest, AmazonUK
There will be readings, signed copies up for grabs, and a chance to discover how we stitched together the pages of frights, desires, nightmares and tragedy into a monster!
The event page is on Facebook.
Hope to see you all there.
Having recently joined the North Bristol Writers, I found out that, in late 2016, they published an anthology called The Dark Half of the Year.
From the creepiness of Garland’s The Ancestors and Dornan’s Dark Time, to the chilling This is Me by Henney, and just plain weirdness of Meyjes’ The Last Four in the Bar, The Dark Half … is a collection of stories that explores the vastness of the afterlife. It is also eclectic, with Newland’s tragic tale set during the Roman invasion of Britain and Sutton’s futuristic take on the ghost story, keeping the company of scolding grandmothers, vengeful in-laws, and righteous wraiths, alongside Harrison’s spin on Cornish folklore and, of course, the gruesome moral tale provided by Shinn. My favourite story of the anthology, Winternights by Herring, hauls ancient myth into a dystopian future whilst almost revelling in a vivid portrayal of bloodlust, truly making The Dark Half of the Year a celebration of the dead.