The Duffy and Nash Chinwag

I had the pleasure of being interviewed by Frank Duffy this week. Frank asked some decent questions which helped me chat more than I normally do. He is running a series of author interviews with some great people on his FB page, The Online Presence, so be sure to check it out.

As well as an interviewer, Frank is the author of the collections Unknown Causes and The Signal Block and Other Tales (Gallows Press). Other publications include the three novelettes Mountains of Smoke, Not The End Of The Story and Ambiguous, collected in one volume (Gallows Press). He’s the author of the novelette Photographs Showing Terrible Things (Sideshow Press). His work has appeared in print and online magazines, as well as in several anthologies. He’s currently writing an eight part supernatural TV series for parties as yet to be disclosed. He lives in Warsaw with his beloved dog Mr Mole.

Frank: Hi Nash. Many thanks for joining us today.

Nash: It’s a pleasure, Frank. Good to be here.

Frank: I’d like to start by asking you when you first started writing?

Nash: I embarked on my first novel when I was ten years old. It was high fantasy and I managed to complete one chapter. After that I concentrated on short stories, and in my late teens an indie micro-press published an epistolary story of mine concerning a little boy who fell into a goldfish pond in his back garden and was never seen again.

Frank: What drew you to genre fiction as a writer?

Nash: Well, I blame my love of Horror on my Irish grandmother who told people’s fortunes in the tea leaves and was much sought after for those talents apparently. From about five years old I remember staying at hers, we’d sit together, Nan with her bottled Guiness, me with my milk stout, and we’d binge on black and white horror movies. Where fiction is concerned, I would say all of it is genre fiction, even literary. I just write dark shit (careful with the intonation in that sentence

Frank: What are some of the themes and ideas which drive your stories?

Nash: I like to insert a slice of the macabre or the weird into the everyday. I explore the human condition and have a soft spot for gods and folklore, the latter is evident in my latest short fiction, Magic, published last month by Demain Publishing.

Frank: Do you have a typical writing routine?

Nash: I have a day job, so like many, writing is pushed into the evening. Sometimes I manage an ealy morning session; that often produces some great results. Mostly I come home, do what needs doing, then settle at my computer. I’m not able to shut myself away, but I find moving devices out of reach helps a lot! A couple of hours is the best I tend to manage and I’m not immersed in the zone until after the first sixty minutes, so it’s slow process. As such, I try to write everyday; one doesn’t improve without practice.

Frank: Are you one of those writers who takes a notebook and pen everywhere you go? Or are you a post-it-note kind of writer?

Nash: I like the idea of the notebook, and I tried it for a time. The result was a muddle of thoughts, WIP notes, characters, ideas, overhead conversations, and quotes penned in by a hardback cover. Post-Its are the droppings of a devil. Now I just use Word on my phone – notes added to appropriate documents and at hand 24/7. Modern life, eh?

Frank: Do you plot everything you write, and if so, what’s your method of approach? Do you write in longhand before, or do you use a card index system, or something completely different?

Nash: With my novel (not the High Fantasy one of my childhood, but another), I had Word documents for the plot and sub-plots. For my short fiction, I have various approaches dependent on how well-formed the initial idea. I’m writing a short at the moment from a one line idea, and so I’ve added plot ideas etc to the text in a differentiating font, and delete these when included sufficiently in the story, rather than planning it. Perhaps the amount of plotting I do in advance is directly related to how frightened I am of beginning the story, Frank.

Frank: Kurt Vonnegut was supposed to have written each page multiple times before moving onto the next, thus only ever doing one complete draft the first time around. Whether apocryphal or not, how do you approach writing when drafting a short story, novella or novel?

Nash: I’ve written and rewritten scenes in the first draft before moving onto the next scene. I’ve also completed first drafts of whole stories that I wouldn’t show to a six-year-old! So I haven’t got an approach as yet (and probably won’t ever have). Maybe this has something to do with how formed the story is in my head. I also realise that a first-draft is most likely to be completely different, sometimes unrecognisable, after the sixth edit.

Frank: What’s the best advice you’ve ever been given about writing?

Nash: Read good writing.

Frank: Many writers talk about the difficulty of writing dialogue. What are your thoughts on this?

Nash: Personally, I don’t struggle with writing dialogue, which isn’t to say I write it succesfully. If I were having difficulty, I may try to eavesdrop more and maybe write conversations down for study purposes, and remind myself that dialogue is an extension of character.

Frank: How long does it take for a story idea to make it onto the page? What’s the gestation period before you sit down and hammer it out?

Nash: Oh it all depends, I may have an idea but not settle to form it into a story for months, other times it could be hours. And I guess I’m still gestating until the final draft of the piece because with editing you’re weaving in threads to add layers, many of which have been thought of during a previous draft. My story turnaround at present seems to be a rather tardy three months.

Frank: Can you tell me about the first stories you had published? How did it feel to receive your first acceptance? Did you celebrate it in any particular way?

Nash: After my epistolary debut, writing as a career faded somewhat. I had been writing a novel on and off for a couple of decades. I d finished it abour six years ago, realised it was terrible and have vowed to rewrite it at some point. It was after I finished, not knowing what to do with myself, that I gave myself a challenge: submit a new short story to a publisher, and if they reject it stop writing, if they accept it, don’t stop. The publisher, Firbolg Publishing, were looking for Gothic horror for their Rogues Gallery flash fiction anthology so I submitted Felicity Cinch. That great team accepted my work, so here I am feeling very relieved. There’s almost a secret belief that the story you’ve just finished will be accepted, I mean you have to believe in that story to say it’s finished, and until the first rejection it’s still the author’s baby. More often than not there’s a series of no’s and you reread the work a month later and think, by the gods, why WOULD they publish that. But when that acceptance finally comes I feel so elated that I beam for weeks.

Frank: What’s the best piece of constructive feedback you had on a rejected story?

Nash: “Unfortunately, we won’t be using your submission[.] Do want you to know, however, that you came very close. This story is beautifully written, so beautifully that at times the narrative gets lost,”. Of course the editor was correct about the lost narrative and after a rewrite it’s hopefully just “beautifully written” enough to be published.

Frank: In your own personal opinion, what’s been your best piece of published fiction so far?

Nash: What I regard as my best published work would be Magic, which as mentioned is my most recent. There’s an older one of mine, The Handwritten Journal, that is an absolute personal favourite because it was so much fun to write, but it’s not my best.

Frank: How easy or difficult is it writing for a specific market, such as a themed anthology?

Nash: The past couple of years I’ve done less of this, and concentrated on various themes of my choice. During this time, however, I haven’t written that much. Picking a market and writing for it focusses you and provides a deadline. It’s how I started writing short fiction.

Frank: What are you currently working on now?

Nash: I usually work on a rolling cycle of at least three stories – working on one draft while the other stories are resting – but after Magic, I found myself out of sync without any new ideas, so it’s taken me about a month to begin a new story. It’s topical and I’m experimenting with a real-life horror and supernatural horror running parallel to each other. I’ve also come up with four more ideas so I should be back into my comfort zone fairly soon. I’m also working on a short fiction collection with another author, a second collab with a bunch of inspiring creatives on a poetry/photography book with an abandoned places theme, and am compiling my first short story collection entitled ‘Marrow’. Busy times!

Frank: What are your general writing aims for the future?

Nash: To up my output and to write a novel of which I’m proud.

Frank: Which three authors would you recommend to people new to the genre?

Nash: Crikey, that’s a hard one. Okay, Clive Barker for sheer delight, Poppy Z Brite for taking you where you don’t want to go and letting go of your hand, and Ray Bradbury for magic

Frank: Many thanks for talking to me today, Nash.

magic 4

Magic, my latest release just 99p (or equivalent) on Amazon UK and US.

They’re Closer Than You Think

Photograph ©Jaroslaw Datta

I thought I would share the small piece about Poseidon’s Standing Stones that I was asked to contribute by fellow writer Gregory L Norris. The story has been recently published in ‘From The Corner of Your Eye – A Cryptids Anthology’ by Great Old Ones Publishing, It’s a damn fine book which stands next to Lovecraft’s Necronomicon and Barker’s Imajica on my writing desk and features some pretty creepy tales about those creatures that exist on the edge of our consciousness. ‘Ere’s ‘wot’ I wrote:

Holidays to the coast as a kid had me searching the flat-line horizon for sea-monsters. I found none, so I imagined them. Years later, I imagined one again. I then gave her a place to live, a modest social life including friends from English legend, and of course, a leisure interest. Every monster needs a hobby. All this, I thought, ought not to stretch one’s imagination too far since individuality is embraced by the society I live in, and neighbourhoods have become extremely transient. Maybe she would live unnoticed in a town, possibly making weekly trips to the Benefits Office. Maybe she would be saddened by the lament of the gull or be comforted by the gentle shush of the sea. Maybe she would find love. Or maybe not.
And here we are. How was I to know things were going to happen as they did? After all, she is a cryptid and they’re supposed to stay hidden, aren’t they? Something about the corner of one’s eye, or is that just myth?

To explore what inspired the other authors to write about their particular beasts, please do visit Gregory L Norris’ blog.

The FWC – Who Are You? Blog Hop

Did someone mention The Collective?

Did someone mention The Collective?

A Frome Writers’ Collective: what a great idea! It has always surprised me that I could never seem to find writers, or local resources for them, in the Frome area especially as it seems to be a cauldron of creativity and free-thinking. Even using the interweb thingy (as an elderly relative calls it), other local writers were perhaps tucked away behind bookcases or lurking down plugholes. Then, last June, I picked up the wonderful local rag which forever informs us of wonderful goings-on in our wonderful little town full of wonderful people, and there it was: a small article about the FWC launch at the library. I went along and have now found Frome’s writing community.

FWC logoI’m proud to say that I am a member of the FWC and would like to thank and praise the Collective’s Trustees for all they have achieved in its first nine months.

The FWC – Who Are You? Blog Hop is a chance to visit the online homes of many of the talented members of the Collective and learn a little more about who we are.

And it looks like I’m kicking it off.

Frome Writers’ Collective is home to a range of writers, poets, illustrators, editors, and publishers. Which one best describes you?

Writer. I tend to write dark stuff which is best described as Speculative fiction. I have been working on short pieces for the past year building up a catalogue of work to put an anthology together. There’s definitely some horror stories in there and a few urban fantasy ones, too. After that, I intend to revisit my novel which I have been sitting on for the past year. Hopefully, I will have worked up enough courage to start the manuscript’s ninth edit by that time.

Apart from the Speculative angle, I have a predilection for humour – especially black comedy – which can be a hinderance when I’m working on a really tense scene and am desperate to turn a crucial sentence into a punchline. I just have to be tough with myself. As Frank Herbert said in Chapterhouse: Dune, ‘Seek discipline and find your liberty.’


This artwork reminded me very much of my WIP. Child of the Moon by Marina Malares

What are you working on at the moment?

Nothing to Fear During Daylight, a short story, primarily for a particular British small press market which I would love to crack. The idea for the piece started with a prompt for a US themed anthology which I was considering. During a discussion about the prompt with my children, the youngest asked the question, “What if the night was scared of itself, Daddy?” Oh, what fun we could have with that little gem, I thought.

At the moment, I am on the fourth draft and with the help of the Nameless Writing Group, it has taken shape nicely. Unfortunately, the little ones who gave me the idea aren’t allowed to read it because of the content.

Jack London said that “You can’t wait for inspiration. You have to go after it with a club.” Would you agree?

I think so. Take a rope along with you as well because inspiration can be a wily little git. I often trap it by looking for submission calls on the internet through such sites as The Submission Grinder (a resource for writers of all types of fiction, non-fiction and poetry), Dark Markets, and Facebook. When I find a submission call that appeals to me, I research the theme and see what I can come up with. Of course, if I’m researching for more than two weeks then it probably means that I’m procrastinating, and need to start writing.

Staring at a blank page can be daunting. How do you get from brain to page?

By writing. It’s as simple as that. Doesn’t really matter what I write: it could be a piece of dialogue, or I may look out the nearest window and describe the view, or I’ll try a new voice to give me an angle or a different style. The important thing is not to stop – not even to edit; not even if it doesn’t make sense – because it is the flow of words that entices the real story from the tangle of brambles in my head. Hell, I generally don’t use most of this initial writing when putting together a first draft. I’ve realised that the ability to let go of words, sentences, paragraphs is a crucial skill that a writer must learn.

FWC 800px-Kilroy_Was_Here_-_Washington_DC_WWII_MemorialYou’ve finally stopped procrastinating and you’re ready to get creative or tackle that manuscript. Have you a particular place where you like to work?

At the kitchen table, in a half-light, looking at the back garden through the French doors. The view isn’t that great on account of it being dark when I normally settle to write and all I see is my reflection peering over the top of my laptop like some modern Chad doodle. But it seems to work. I manage to get two hours a night, if I’m not distracted by wanting a mug of tea, or social media, or children, or food. Which reminds me of a quote about discipline.

Thanks for stopping by and spending the time to read the first FWC – Who Are You? Blog Hop interview. Next Sunday be sure to hop over and say hello to two more FWC members, the intriguing B. Anne Adriaens:

To the outside world, B. Anne Adriaens works as a freelance translator and editor, but behind the scenes, she writes dystopian stories with a fantastical twist, makes the occasional attempt at poetry and has a blog on the theme of exile, under the pseudonym Nuala Rayne.

While working on finding a home for her last novel, which was written in French, she has started on her first novel in English and so far, it’s going quite well.

She found out early on that an excess of imagination is something that needs an outlet. Too many stories, characters and ideas bottled up in one mind would drive any poor soul mad – hence the necessity to write. She firmly believes that it’s the safest way for her to keep her sanity.

Online, you can contact her via her blog , Facebook under B Anne Adriaens and Flickr , where you will find (among other things) photos of the derelict places which inspired her.

and the awesome Piotr Świetlik.

Piotr Świetlik is a Silesian science fiction author, DJ, father and husband, in
no particular order of importance. He was born in the Silesian city of Chorzów,
Poland, but has spent the last decade living in Somerset. He loves good
literature, psychedelic trance and lager. His favourite authors are Roger
Zelazny, Stanisław Lem and Philip K Dick. He spends his days trying to remain
sane and working on his first novel. His blog is here:

Don’t forget to visit them on the Sunday 15th March.