“Twelve grisly new tales of fur and fury in this brand new anthology of werewolf stories. Liam Hogan’s The Mortsafe, full of gothic darkness, Holly Rae Garcia’s Werewolf’s Lament (because … Continue reading Call of the Wyld

“Twelve grisly new tales of fur and fury in this brand new anthology of werewolf stories. Liam Hogan’s The Mortsafe, full of gothic darkness, Holly Rae Garcia’s Werewolf’s Lament (because … Continue reading Call of the Wyld
This fascinating live stream from the International Wolf Center has been playing most of the time I have been working on Hashtag Rewilding. Enjoy.
The werewolf is used as a trope for many societal issues. Like that particular shapeshifter, I’m discovering that my story, Hashtag Rewilding works on quite a few levels too. Although, this is not a bad thing, I feel that is important to keep a short piece of fiction simple if you want to keep the reader engaged.
In preparation for the first edit, which – rightly or wrongly – I’ve undertook with hardly any downtime, I asked myself what is this story really about. This time around the answer – a clue to which is the title – was found when I asked myself a different question: why did I start to write a serious werewolf story when two weeks before I believed it would be many years before I could write such a thing without it being a spoof.
With that in mind I have begun eliminating any thread that may obscure the true nature of this story; any sentence that does not draw the reader in to hear what is whispered between the lines. I guess I’m editing, aren’t I?
My point here is this: Ask yourself what you’re trying to say before you begin to edit.