There’s a little something spiritual about being in the vicinity of a working piece of machinery: its heat radiates; its smell permeates; the clattering, chugging, almost orchestral clanking of metal on metal, drive and punch initiates a settling hypnotic calm.
We were at Dean Press today enquiring about printing choices for the chapbook, Rewilding, when we were treated to the impromptu operation of this renovated 1975 Heidelberg letter press machine. What a piece of kit!
We’re now deciding on a selection of papers and weights, covers and colours, and giving a little extra thought to the limited edition print run. Keeping the materials used in the production in-line with the thematic undercurrent of the story is important to us, and this includes having a natural feel to the product.
Bos will be designing the cover plate, and there’s a good chance this Heidelberg will have a part to play in the production of Rewilding.
If you would like to see footage of the Heidelberg in operation, then please go to my Facebook page (link in the margin).
This fascinating live stream from the International Wolf Center has been playing most of the time I have been working on Hashtag Rewilding. Enjoy.
The werewolf is used as a trope for many societal issues. Like that particular shapeshifter, I’m discovering that my story, Hashtag Rewilding works on quite a few levels too. Although, this is not a bad thing, I feel that is important to keep a short piece of fiction simple if you want to keep the reader engaged.
In preparation for the first edit, which – rightly or wrongly – I’ve undertook with hardly any downtime, I asked myself what is this story really about. This time around the answer – a clue to which is the title – was found when I asked myself a different question: why did I start to write a serious werewolf story when two weeks before I believed it would be many years before I could write such a thing without it being a spoof.
With that in mind I have begun eliminating any thread that may obscure the true nature of this story; any sentence that does not draw the reader in to hear what is whispered between the lines. I guess I’m editing, aren’t I?
My point here is this: Ask yourself what you’re trying to say before you begin to edit.